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HOMELAND SECURITY GARDEN

 

 

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View the 200 Emergency Kits

At The World Financial Center Winter Garden
September 2005
3 feet (H) x 50 feet (W) x 60 feet (D)
200 "Emergency Kits," 107 Astroturf covered pedestals

 

Homeland Security Garden, a public art project presented at The World Financial Center Winter Garden, investigates our political and psychological in/security in the post 9/11 world.

During World War II, in England and America, people helped prepare for critical times by growing "victory gardens" which helped take the strain off war-taxed economies by making families self sufficient. Each family chose for themselves the things they saw as the most important staples to have. In the 1950s in America there was a huge fear of nuclear war and a sense of need to prepare for the possible crisis. The past decade saw a lull in these fears, but in the current global political climate, people are suffering from renewed concerns of terror, safety, and the need to be prepared.

The recently formed "Bureau of Homeland Security" in the U. S. addresses these issues, but along with the stress on readiness has come a new surveillance economy and a potential loss of personal freedom and the safety to express alternative views. Times of crisis can pit the forces of homogenization and unified doctrine against cherished values such as tolerance for a multiplicity of views and beliefs.

Homeland Security Garden explores the complex issues of safety, security and personal freedom in times of crisis. Workshops related to creation of the artwork were conducted all over New York City, with individuals from many different ethnic and socioeconomic backgrounds, including people from Asian, Muslim, African American, Jewish and Latino communities. 200 participants donated mundane items that relate to personal notions of safety. There were no rules regarding what could and could not be donated, as long as it could fit within a 9" x 13" x 2 1/4" cardboard box.

Rather than simply laying out or arranging the contributed items, the artist made an artwork about each of the people involved in the project. The artist worked individually with the raw materials contributed by each participant. After reviewing the materials and based on interviews conducted, the artist proceeded to envision and create a safety kit artwork which reflected the qualities of each particular individual. At times a number of the contributed items were used. At other times the artist would use only a single item as the base for the artwork or in some instances none of the items were used directly, but ideas from the items became the basis for the particular artwork about that person.

Each of these small individual artworks or "Emergency Kits" are then displayed together as a single unified art installation in the form of a giant maze or garden. The 200 kits sit on three foot high Astroturf-covered pedestals that are arranged like a 19th century horticultural maze. The garden evokes a traditional sense of home and place while the maze layout represents the difficulties of navigating the world's current complexities. The entire exhibit filled most of the floor of the World Financial Center Winter Garden.

Choosing personal items for a safety kit forces one to question, on a deep level, what one considers most valuable. What people need or consider most important varies by ethnic, social, and economic background. These differences are highlighted and celebrated in this project.

Taking an experimental approach to content and form, the installation invites viewers to re-exam the feelings and desires we all have regarding safety and personal freedom. Homeland Security Garden challenges the boundaries between the art world and everyday life while examining the cultural and political complexity of our time.

Homeland Security Garden promotes exploration through presentation of a varied yet collective voice. It brings up the issues of freedom of speech, individual security/insecurity, how culturally defined notions of value and need vary by society and economic status, while at the same time providing a voice for individual expression. Ultimately, it is a celebration of a multitude of varying individual voices - what freedom and democracy is based on.

 

This project is presented by The World Financial Center Arts & Events in conjunction with The Lower Manhattan Cultural Council's "WHAT COMES AFTER: CITIES ART AND RECOVERY."

This exhibit is partially funded by The Lower Manhattan Cultural Council
Manhattan Community Arts Fund, LMCC, The Puffin Foundation, The Container Store.

 

Special thanks to the following for thier invaluable support for this project.

At The World Financial Center Arts & Events:
Debra Simon
Karen Kitchen
Shannon Mayers
Bruce Cohen
Miguel Lopez
Allan Abrams
Melissa Cohen
LaToya Bennett

At The Lower Manhattan Cultural Council:
Tom Healy
Erin Donnelly
Brenda Cho
Janis Astor Del Valle
Radhika Subramaniam
Sara Fang
Perry Garvin
Olga Martins
Mark Vevle
Steffani Jemison

Individuals:
Paul Clay
Sandra Greuel
Angelo Angeles
Susan Juvet
Sun K. Kwak
Ari Hiroshige
Julie Horvath
Carl Watson
Alex Kiefer
Tony Corona
Joyce Chan
Susan Fleminger
AnaMaria Correa
Martin Dust
Reshma Baig
Marcy Brafman
Amy Goldrich
Janet Clancy
Joan Walrich
Shelly Mcguinness
William Dao
Anne Beffel
Heng-Gil Han
Yukiko Hawakaya
Chris Jordan

Photography:
Paul Clay
Shaun Myles
Perry Garvin

 

HSG

 

 


View Before and After images

 

 

View Workshops

 

View Bujuk

 

View Simulated ID Cards